A Tribute To Fritz Kreisler 2-Disc Set w/ Hype Sticker

A Tribute To Fritz Kreisler 2-Disc w/ Hype Sticker MUSIC AUDIO CD violin SEALED  

Music 

Audio CD 

Deutsche Grammophon 

2012 

CD 

$89.99
Packaging
A TRIBUTE TO FRITZ KREISLER 2-DISC SET W/ HYPE STICKER

Album Features

Artist:
A Tribute To Fritz Kreisler

Format:
Audio CD

Release Year:
2012

Record Label:
Deutsche Grammophon

Cat No:
028947900955

Country:
US

Genre:
Classical

The six pieces played by Kreisler on Disc 1 were recorded in New York and London in 1910–12. Four of them were published in 1910 as Classical Manuscripts. The matching pair Liebesfreud (Love’s Joy) and Liebesleid (Love’s Sorrow) were first ascribed to Lanner, but a Berlin critic smelt a rat; so on publication they and Schön Rosmarin were described as Old Viennese Dance Tunes. The Andantino appeared under Padre Martini’s name. Tambourin chinois was acknowledged from the start as an original inspiration.

Kreisler said, “I enjoyed very much writing my Tambourin chinois. The idea for it came to me after a visit to the Chinese theatre in San Francisco — not that the music there suggested any theme, but it gave me the impulse to write a free fantasy in the Chinese manner.”

Tchaikovsky’s Chant sans paroles, third of the piano pieces making up Souvenir de Hapsal, was arranged by Kreisler and recorded by him as one of his very first discs, in 1904. It was remade in 1910 at one of his earliest American sessions (the version here) and again in London the following year.

The tributes by other famous violinists have value in themselves, but also include pieces that Kreisler did not record. Ruggiero Ricci interestingly takes a virtuoso view.

The Praeludium and Allegro, originally ascribed to Pugnani, is perhaps Kreisler’s finest piece. The next two, beautifully written for the violin, were naughtily attributed to Francœur and Louis Couperin, while Ricci’s final piece, La Chasse with its hunting horn imitations, was said to be by Cartier. La Précieuse, played by Shlomo Mintz, was another Louis Couperin concoction.

The Recitative and Scherzo-Caprice was Kreisler’s major contribution to the literature for solo violin — sadly, he never recorded it; indeed he recorded only two unaccompanied pieces. The Tartini-Corelli Variations are unusual among Kreisler’s Baroque creations in actually including two of Tartini’s own variations on the Gavotte from Corelli’s Sonata op. 5 no. 10 — the other variations are pure Kreisler.

The Rondino, a virtuoso elaboration of the opening theme of Beethoven’s G major Rondo for violin and piano (WoO 41), was dedicated to Mischa Elman to punish him for clowning around with the piece just after it had been composed. Among Kreisler originals, Polichinelle was described as a Serenade and La Gitana was subtitled “Arabian-Spanish gypsy song of the eighteenth century”. Gypsy Caprice demands considerable virtuosity from the player.

Syncopation and Marche miniature viennoise show that, although phrasing was the dominant aspect of Kreisler’s own playing, as a composer he had a highly developed feeling for rhythm. Many pieces here are transcriptions. The Old Refrain is based on Du alter Stefansturm from Johann Brandl’s 1887 operetta Der liebe Augustin; Rimsky-Korsakov contributes two operatic arias; the Gluck is from the ballet music in Orphée et Euridice; and the Danza española is an orchestral episode in Falla’s opera La vida breve.

Of the two Spanish serenades, Cécile Chaminade’s — which exploits the violin’s high register — was originally for piano, Glazunov’s for cello and orchestra. The Albéniz and Granados are among their best-known piano pieces and Mendelssohn’s Frühlingslied is one of his Songs Without Words for piano.

The Weber Larghetto is borrowed from an 1810 sonata for piano with violin obbligato and the Wieniawski Caprice, Alla saltarella, is the fifth Étude from L’École moderne. Kreisler could be quite radical in transcribing Dvořák’s music, but the Humoresque and the E minor Slavonic Dance stay close to the piano originals.
Track Listings

Disc: 1

1
Praeludium and Allegro in the style of Pugnani

2
Sicilienne and Rigaudon in the style of Franc ur

3
Chanson Louis XIII and Pavane in the style of Couperin

4
Rondino on a Theme by Beethoven

5
Variations on a Theme by Corelli in the style of Tartini

6
Recitativo and Scherzo-Caprice op. 6 (for solo violin)

7
Caprice viennois

8
Tambourin chinois

9
Liebesfreud

10
Liebesleid

11
Schön Rosmarin

12
La Gitana

13
The Old Refrain

14
La Chasse in the style of Cartier

15
Liebesfreud

16
Liebesleid

17
Schön Rosmarin

18
Tambourin chinois

19
Andantino

20
Tchaikovsky: Chanson sans paroles

Disc: 2

1
Gluck: Mélodie (Dance of the Blessed Spirits) from Orphée et Euridice

2
Rimsky-Korsakov: Hymn to the Sun from The Golden Cockerel

3
La Gitana

4
Dvo ák: Humoresque op. 101 no. 7

5
Chaminade: Sérénade espagnole

6
Rimsky-Korsakov: Hindu Song from Sadko

7
Falla: Danza española from La vida breve

8
Polichinelle

9
Albéniz: Tango op. 165 no. 2

10
Weber: Larghetto

11
Gypsy Caprice

12
Wieniawski: Caprice in E flat major

13
Dvo ák: Slavonic Dance in E minor op. 72 no. 2

14
Glazunov: Sérénade espagnole

15
Granados: Danse espagnole

16
La Précieuse in the style of Louis Couperin

17
Syncopation

18
Marche miniature viennoise

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